藏人自拍的電影──米拉日巴Milarepa

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电影《米拉日巴》海报：

时间: 90 分钟
国家: 印度/ 不丹
语言: 藏语
首映时间：2006年9月14日

导演：涅顿秋林仁波切(Neten Chokling Rinpoche)

演员：

Orgyen Tobgyal .... Yongten Trogyal
Jamyang Lodro .... Thopaga
Jamyang Nyima (as Jamyang Nyima Tashi)
rest of cast listed alphabetically:
Gimyan Lodro .... Milarepa

片花欣赏：点机播放键观看即可。

http://josephgyal.tibetcul.com/archives/2006/17559.html
米拉日巴：
josephgyal发表评论于2006-10-12 16:42:00
米拉日巴(1052年——1135年)

米拉日巴于水阳龙年(1052年)七月二十五日出生在西藏西部毗邻尼泊尔边界的贡塘。

7岁时，其父故去，留下的家产全部落人了贪婪的亲戚手中。他们对米拉日巴母子十分苛刻。因此，其母变得十分冷酷，米拉日巴长大后，她立即送他去学习黑巫术，希望他将来能够报仇血恨。

这个年轻人很快就学会了如何运用具有摧毁力的咒语，这给家乡村庄带来了极为严重的破坏，使许多人丧生。他的导师为他的这些罪行忏悔，送他出去寻找能消除其 “恶业”的师父。这样，米拉日巴成了宁玛派绒敦大师的弟子。绒敦大师不久又引荐他去拜见当时住在洛札的玛尔巴译师。
米拉日巴38岁时成了玛尔巴大师的弟子。玛尔巴曾见到过他即将到来的幻象。玛尔巴允许他留在洛札，但拒绝接纳他修习“秘法”传承，也不给他讲解任何教法。有几年的时间，米拉日巴像仆人一样生活，干各种异常繁重的体力活。几经挫折之后，他终于修成了一座九层宝塔。

玛尔巴之妻达梅玛在米拉日巴绝望之际帮助了他。她恳求其夫允许米拉日巴修习他所寻求的传承。艰苦的考验终于过去了，“恶业”消除了。不久，玛尔巴就给他传授了全面的教法和传承。玛尔巴为其安排了一种闭关自修的生活，并把那若巴的密宗教法传授给他，尤其是瑜伽派的拙火定教法。他仅穿布衣，多年生活在高山洞穴，与世隔绝。他潜心修习所授的全部教法。

几年过去了，身着布衣的瑜伽行者完全变成了大成就者，人们渐渐地听到他的消息。为了能倾听他的道歌，人们开始四处寻找他。米拉日巴是通过道歌传授教法。在结束整整九年与世隔绝的生活后，他开始收徒传法，但他仍然过着简朴的生活。他通过道歌传播教法，其中许多内容一直存留至今。他在全藏闻名遐迩。

木阴兔年(1135年)米拉日巴于85岁圆寂，留下了八大弟子和十三个弟子。八大弟子中有五大弟子并没有传播任何教法而直接升人虚空。三个弟子留在尘世，其中有两个弟子接受并传播那若巴大师的密宗教法。这些著名弟子包括：
1．冈波巴：尼氏家族人，曾接受过全部教义。他的成就可以与日同辉。其详细生平见后面的介绍。
2．热琼巴(热琼•多吉•札巴)：贡塘人，11岁时遇见米拉日巴。他患有麻风病，15岁时动身到印度求医问药。在印度，他遇见了巴拉钦扎大师。大师不仅给他传法，还治好了他的病。热琼巴返回西藏，在西藏，他又遇见了米拉日巴并向他学习佛法。几年之后，他再次访问印度，在印度，他进一步获得了那若巴和弥勒巴教法的传承。他把这些教法传给了米拉日巴和冈波巴。他的成就可与月亮同辉。他生于1084年，圆寂于1161年。
其著名弟子包括：
(1)喜瓦沃日巴：一位年轻贵族。他在一座桥上与米拉日巴相遇。听了米拉日巴的道歌后，成为他的忠实信徒。他脱离尘世，成为瑜伽行者，接受了众多教法。
(2)色旺日巴：多塔人。
(3)年宗仓楚且波：切垅人。
(4)吉日巴：尼洋人。
(5)止贡日巴：梅人。
(6)桑结杰日巴：热玛岗人。

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Milarepa: The Movie

Neten Chokling Rinpoche aloft with the camera In 2000, a Tibetan lama named Khyentse Norbu took the reins from directors such as Martin Scorsese (“Kundun”) and Jean-Jacques Annaud (“Seven Years in Tibet”) and directed his own feature-length film based on Tibetan life, “The Cup,” a charming tale of young monks distracted by soccer’s penultimate match: the World Cup. Working as a principal actor on that film was another young lama, Neten Chokling Rinpoche, who closely observed his friend’s directorial techniques. On Norbu’s next production, “Travellers and Magicians,” Chokling Rinpoche moved up in the ranks to 2nd unit director and assistant to the director, and even served as a stuntman. It was only a matter of time before the inquisitive, 33-year-old lama struck out on his own, and when he did, he would take for his subject none other than one of Tibet’s most beloved figures. “Milarepa,” the directorial debut of Neten Chokling Rinpoche, tells the story of the famed Tibetan yogi in his early years. Filmed on location in the remote Spiti Valley on the Indo-Tibetan border, the cast and crew, including the film’s star, Jamyang Lodro of “The Cup,” consisted mainly of monks from the monastery of which Chokling Rinpoche is the Spiritual Head: Pema Ewam Chogar Gyurme Ling Monastery of Bir, Himachel Pradesh, India. Contributor Sasha Meyerowitz, a post-production crew member on “Milarepa,” recently interviewed Neten Chokling Rinpoche about his new film … SM (Sasha Meyerowitz): Do your peers find it funny that you, a Rinpoche, are making movies? NCR (Neten Chokling Rinpoche): You know, the Buddha always said, ‘Help according to the time …’ Now, times have changed. In that [previous] generation, they didn’t have movies or anything like that. Now we do. SM: How did the idea for this film get started and by whom? NCR: Every time I read Milarepa’s story I find it very inspiring. There’s much to learn from his story, what he goes through, where he comes to. Milarepa’s life is perhaps a Buddhist version of the traditional “rags to riches” fable, except in this case the “rags” are the unfortunate circumstances, misdeeds, and negative actions Milarepa accumulates early in life. And the “riches” are his coming to the path and attainment of enlightenment. His story shows that the path to enlightenment is accessible to all and can be anyone’s aspiration and realization. As he says, “Any ordinary man can persevere as I have done! SM: What was the process of making the film like? NCR: Well, I believe making a film about the life of such a person as Milarepa has meaning just in itself. But filmmaking is also hard work. We shot on location in Spiti, in India near the border of Tibet. It looked exactly like Tibet there, in particular the areas where Milarepa grew up, so we were fortunate to work there. But it was pretty tough conditions: cold, remote, no phones, far from lodging, dusty, long, long days. But the filming was made easier thanks to the local people of Spiti. Spiti was once part of the Tibetan kingdom, so due to our similar background, like religion and our very similar language, we had no problems. The locals were really accommodating…